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Special feature of 1905 film network"People’s life is actually short, and sometimes it’s the same as sleeping: when your eyes are closed and opened, a day passes; As soon as you close your eyes and don’t open them, this life will pass. "

　

This quite classic line comes from the sketch "Not Bad Money" of CCTV Spring Festival Gala in 2009. Just a few minutes’ performance on the stage made hundreds of millions of TV viewers remember Xiao Shen Yang, even his "English name" Xiao Shen Yang, on the night of that year.

　

After that, in addition to sketch creation, Xiao Shenyang began to participate in the filming of big-screen works as a film actor, and he participated in the works directed by Zhang Yimou, Wong Kar-wai and the regular series of Spring Festival stalls every year. In the upcoming comedy, he finally completed a "cross-border" again and became a film director.

　

The day before the interview, Xiao Shenyang just finished a road show in more than 20 cities. Although it is hard to hide his fatigue, it still makes him feel very rewarding to be in close contact with the audience in a new identity: "Everyone started to know me through (the stage) in 2009, and this roadshow made (everyone) know more about me."

　

The explosion of red nine years ago not only made little Shenyang gain attention and opportunities, but also brought prejudice, doubt and even abuse. "Maybe it’s mainly because of my background, and I don’t have a deep culture. People may look down on me when farmers come to be directors." Today, during the publicity of the film debut "The Fierce Worm Crossing the River", Xiao Shenyang still feels helpless about some external comments and opinions.

　

"Everyone has made this topic too serious. For me, it is actually to learn a trade to enrich myself. When an actor learns to be a director, it will help him see things that he could not see when he was an actor before. " Xiao Shenyang admits that his original intention of filming "The Fierce Worm Crossing the River" is actually very simple. "Everyone (now) says this matter is particularly serious, saying that the threshold (as a director) is low, and when a bad film is filmed, and so on. I think nothing is wrong. If I want to do one thing well, no one can stop me from studying. "

　

"If you have time to swear, you can also study hard by yourself." Xiao Shenyang gave such a "counterattack" gently.

　

"Being a director is not that serious. I hope the new director will have less negative energy."

　

During the interview, Xiao Shenyang mentioned this time point in 2009 many times. There is no doubt that the performance on the stage of the Spring Festival Evening is both a turning point and a new "beginning" for his career.

　

"So what do you want to share about yourself in 2009?"

"Maybe everyone knew me through that night, and it was hard for everyone to see my previous years." Xiao Shenyang said.

　

In 1995, at the age of 14, Xiao Shenyang began to study duet in the Art Troupe. From Tieling to Jilin and then to Shenyang, in those days, he performed in the theater every day. "It is not easy for people of all kinds to support their families in order to earn two dollars (work here) every day." In 2006, he gradually began to get the opportunity to appear in TV programs, and finally boarded the stage of the 2009 Spring Festival Gala.

　

The "Tieling Waiter" wearing a Scottish plaid skirt became an instant hit. Little Shenyang gained more attention and opportunities, and began to participate in the big screen works as a film and television actor. In that year, Xiao Shenyang filmed Zhang Yimou’s work "Surprise with Three Guns", and in 2013, he made a guest appearance in Wong Kar-wai’s martial arts film "The Master", and became a member of the The Journey to the West series, a frequent visitor in the Spring Festival.

　

This time as a cross-border director, Xiao Shenyang’s initial idea was actually very simple. "I don’t really have a desire (to be a director), that is, friends chat together and say that they want to do such a thing. Actually, I am against it, because I care about what people think of me. Many people may know a little about me and don’t know what I am like behind in 2009, so I am afraid that some people will talk about it. "

　

After figuring it out, Xiao Shenyang wanted to do it to the end: "It seems difficult, but it’s nothing. Everyone has taken this topic too seriously. (For me) it’s just learning a trade to enrich myself, nothing special. When an actor learns to be a director, it will help him see things that he could not see when he was an actor before. "

　

After the exposure of the project "Fierce Insects Crossing the River", while gaining support, Little Shenyang was once again attacked by netizens and fans — — Small Shenyang as a director? Some people’s first reaction is "the director’s threshold is too low" and "the film will definitely be ruined again" … … "It may be mainly because of my background and lack of deep culture. People may look down on me when farmers come to be directors, so there will be such a voice."

　

Faced with these "messy" remarks, Xiao Shenyang chose to use self-deprecating methods to resolve them. "In fact, I have more doubts about myself than anyone else," he replied in a preview special full of questioning barrage. "I just told these people. China movies are very good now, and we are making progress, and there is too much room for improvement. I want to call on these people to support China movies, support new directors like me, give some strength, and don’t always give some negative energy. "

　

"Making a movie depends on the flow of actors, and it will not be affected by box office and doubts."

　

Although it is the first time to direct a film, Xiao Shenyang’s "Fierce Worm Crossing the River" invited a group of familiar faces to join. He admitted that he was very lucky. Many actors and seniors agreed to take part in the show just in time. For example, Jin Shijie, who was recuperating in Taiwan Province at that time, said, "Mr. Jin is over 70, and it will take four or five hours to shoot a film on the spot, so people just sit there silently without saying’ Shoot me quickly’. I was embarrassed to say hello to the teacher and said,’ Mr. Jin will have to wait for a while’, and the teacher said,’ It’s okay, you shoot yours, don’t worry about me’. They are very supportive of me and have never given me any pressure. "

　

It is naturally best for the new director’s works to be blessed by some traffic stars with hot topics. However, Xiao Shenyang admits that there is nothing in his movie: "I think it is useless to invite. If the script really needs it, won’t it be counterproductive if there is no such character in the script?"

　

"I like the words of director Jason Wu very much. It’s not expensive to use the right one." Xiao Shenyang said, "It’s not necessarily a good film to pile up a movie with stars. Besides, it’s out of date. Now the audience is very smart. No one watches the stars mainly because they read stories."

　

So what story does Xiao Shenyang’s "The Fierce Worm Crossing the River" tell? According to him, his "nobody at the bottom of Northeast China" will go to Taiwan Province, a treasure island, and experience a series of embarrassing events there. Whether the sparks between the two contrasting dialects "Dongbei Dialect" and "Taiwan Dialect" are wonderful or not, Xiao Shenyang is also looking forward to the feedback from the audience.

　

The aesthetic differences between the North and the South have always made many comedians feel afraid in their creation, but Shenyang, which has rich performance experience, is not nervous about this: "We used to tour (in the South) and it was hard to get a ticket. At the scene, we directly responded to the burden audience, so there was not much worry. This is especially true for movies. It is a story. If the story develops, it will naturally make you laugh. " At the same time, in order to avoid the "sketch fragment wind" of comedians making movies, Xiao Shenyang also specially invited the producer who had been in charge of and waited for films to check for himself. "Don’t worry, the film is full!"

　

On June 15th, "Crossing the River" will land in the cinema. The summer file is approaching, and the competition in the mainland film market is becoming more and more fierce. There is a Hollywood giant painting with the debut of Xiao Shenyang. This is undoubtedly a great pressure for a new director. However, Xiao Shenyang firmly stated that no matter how the film finally performed, it would not affect his future direction.

　

"This is my first work, and it still has room for growth. I will be very concerned about everyone’s comments. I am very, very receptive to the opinions or criticisms given to me by the audience after watching the film, and even I need to swear. There are many shortcomings in the first work. "Xiao Shenyang sincerely expressed his willingness to listen to the opinions of the audience and continue to work hard and make progress. "So I don’t care whether the box office is good or not. I finished it with my heart, that is, I gave it to the audience to judge. Whether the box office is good or not, I have just begun."

　

Xiao Shenyang revealed that he actually likes Hollywood’s "heavy industry" movies very much. For example, the one released before is one of his favorites. However, as for his future direction, he revealed that "let everyone laugh first": "We comedians are really the happiest thing to see the audience’s laughter at that moment on stage. So I’d better shoot some movies that will make everyone happy first. If everyone is tired of watching it, I will shoot another one. "

　　We live in Nanjing, the naming of the night, the embers of the deep sea, and the spiritual traveler have emerged. (Photo courtesy of the organizer)

　　■ Our reporter Xu Wei

　　After winning the "Best Network Science Fiction Award" in the 32nd China Science Fiction Galaxy Award, not long ago, the post-95 online writer Tianrui Shuo Fu won the gold medal of the 14th Chinese Science Fiction Xingyun Award for novels in one fell swoop, and won the gold medal of the new star in 2020-2022. Yao Haijun, deputy editor-in-chief of Science Fiction World and chairman of the jury, commented that the novel bridged the gap between online science fiction and traditional science fiction, and expanded the growth space of science fiction sub-themes.

　　Not only him, but also a group of post-95 s and post-00 s Z generation groups are pouring into the production and dissemination of sci-fi network literature with an accelerated attitude, injecting a lot of young blood into the collision and blending of scientific and technological rationality and humanistic care. Network literature has new soil, new frontier themes of science and technology, and the authors are mostly newcomers … … The triple "new" superposition brings strong new kinetic energy to local science fiction writing.

　　Science fiction is the first choice for writing online articles after over 70% 00

　　In recent years, the trend of young and highly educated authors has accelerated, and the Z generation has risen strongly, which has gradually become a new feature of innovation and change in science fiction online literature. According to the data disclosed in "2022 China Science Fiction Network Literature White Paper" and "2022 China Network Literature Development Research Report", there were more than 42,000 starting platform authors who created science fiction network articles last year, and 72% of the authors who chose science fiction themes for the first time in 2022 were after 00; Last year, 42,080 sci-fi works were added, a year-on-year increase of nearly 70%; About 70% of the sci-fi category contracted authors are undergraduate students or above. Whether in creative practice or reading works, sci-fi online texts have become the main channel for young people to get in touch with sci-fi culture.

　　Talking elbow, sweeping the world, selling newspaper Xiao Langjun, Montenegro old ghost, I eat tomatoes, get down to business, things in the fire, Kong Changqing and other online authors have successively launched new works on science fiction themes, which enrich the content style of science fiction themes from different perspectives. Taking Tian Rui Shuo Fu, a 26-year-old, as an example, the masterpiece "We Live in Nanjing" has been ranked first on the best-selling list in qidian for a long time. It tells the story of the survival of the three-year-old male poplar who accidentally contacted the female Pinellia who lived in the same geographical location in 2040 through the radio. Wei Li, a professor at Nanjing Normal University, commented — — In addition to professional sci-fi settings, wonderful stories and delicate emotions, the works also show a scarce aesthetic style, and finally complete the "new sci-fi" experiment of hardcore sci-fi achieving aesthetic stories.

　　On the one hand, Tianrui narrator pursues "hard core" — — The famous work "Die on Mars" lists a long list of bibliographic documents, citing the scientific research papers about mission to mars and spacecraft design in the past, which makes many space fans hooked. On the other hand, he also insisted that the hard core of science fiction should also serve the readability of the text. "Technical details are like bricks and tiles of the story structure, which are used to enhance the credibility of the story, rather than becoming a reading obstacle for readers."

　　Netizens spontaneously "take notes" to activate the community ecology.

　　It is not difficult to find that young online writers pay more attention to readers’ feedback and interaction. This also reflects from one side that the community ecology of sci-fi network literature is rapidly maturing. Many users showed extraordinary initiative, actively participated in spontaneous popular science interaction, and spontaneously sorted out knowledge points and wrote long "notes" in the discussion area of works with the help of the online platform, that is, the time period chapter evaluation and other forms.

　　For example, in the comment area of Tianrui’s commentary "We Live in Nanjing", there are radio technology enthusiasts who explain the definition and usage of related professional terms online; In the comment area of Morningstar LL’s "Black Technology System of Xueba", some readers answered questions in detail about "weekly conjecture", "twin prime conjecture" and "corner and valley conjecture", which once triggered a large-scale scientific topic exchange.

　　Not long ago, the "Top Ten Famous Scenes" in the online text was announced, and the scene "Change Back" in Chapter 212 of Yuan Tong’s novel "Deep Sea embers" was selected. He bluntly said that with the growing science fiction market, there are more professionals who know science fiction, and the readers are crouching tiger, which in turn encourages the author to strive for perfection. "The competition in the leaderboard is fierce, and there are many young authors. After 90 s or even 00 s, net authors emerge. Writing science fiction requires a flexible mind and a new knowledge base. The younger the author, the newer the knowledge base. " Looking forward to it, works such as "Deep Sea embers" can convey the attitude of adhering to an optimistic life to netizens. "It would be better if everyone can read it with a smile and get the courage and enlightenment to face life from the story."

　　Passing positive energy and feelings of home and country through science fiction is also the vision of the post-95 writers in September sauce. He used to be an overseas treasurer of a large company and worked in Africa for many years. He combined local knowledge, industry knowledge and imagination to complete the serial update of Science and Technology of Great Countries, showing the progress of all aspects of the country through scientific and technological details, and his works reached 17,000.

　　The "long tail effect" of sci-fi IP has become more and more prominent.

　　Traditional sci-fi motifs have grown into a series of new fusion writing directions in the context of online literature, covering many sub-categories, such as evolutionary superpower, interstellar civilization, super technology, etc., and enriching the content ecology of sci-fi online texts. According to incomplete statistics, evolutionary superpower, future world and interstellar civilization are the sub-themes with obvious increase in recent three years. In 2022, the number and scale doubled compared with that in 2020, satisfying readers’ diversified reading expectations, while the number of works with existing themes such as ancient martial arts mecha and time travel declined.

　　"The exploration of sci-fi themes is going deep. The authors are no longer satisfied with the simple application of sci-fi symbols such as mecha and crossing, but more deeply integrate cutting-edge scientific and technological elements such as big data, space exploration, artificial intelligence and biotechnology, as well as the memory of the younger generation and feelings of home and country into their works, showing the social responsibility and cultural responsibility of the new generation of online literature creation teams." Some scholars have mentioned, for example, that the smile of 300 Jin, the author of post-90 s sci-fi net, used biotechnology to create a wise miniature bacterial civilization in My Universe in a Bottle. After 1995, the authors September Sauce, Explosives, etc. incorporated the cutting-edge technologies such as simulators, chips, aero-engines, mechanical exoskeletons, nuclear power, and intelligent brain machines into Great Power Science and Technology and Crossing into the Guardian AI of a Lost Civilization, trying to give the sci-fi theme a brand-new look, which, to a certain extent, constitutes a representative with sci-fi net texts such as Deep Space, Retrospection of the Millennium, Legend of Cyberheroes and Nomenclature of the Night.

　　Sci-fi network literature such as The Beginning, The Naming of the Night and Forty Thousand Years of the Star Domain have been developed into movies, cartoons, audio books and peripheral derivatives, and the "long tail effect" of sci-fi IP has gradually become prominent. In the new stage of China’s online writing "going out to sea", the works "going out" represented by "The Age of the Earth" and "Supernatural Machinist" are typical samples of sci-fi online writing "telling the story of China well and spreading the voice of China well", which shows the rising overseas influence of China’s sci-fi online literature.

　　CCTV News:After a lapse of more than ten years, another Aegis destroyer was launched by the Japanese Self-Defense Force, which is different from the active ships. This is the first ship in the history of the Self-Defense Force equipped with a cooperative combat system with the US military. If the launch of this ship at this time has something to do with the trade war initiated by the United States, you may be a little puzzled. Let’s find out.

　　On the afternoon of July 30, local time, the naming and launching ceremony of the latest Aegis destroyer of the Maritime Self-Defense Force was held here. This is the seventh Aegis destroyer built in Japan. The last time the Self-Defense Force had an Aegis ship in service, it dates back to 2008.

　　According to the usual practice, the Aegis destroyers of the Maritime Self-Defense Force are generally named after Japanese peaks, and the name "Moye" is taken from a mountain in Kobe City.

　　According to the information provided by the Self-Defense Forces, the standard displacement of the "Moye" is about 8,200 tons, with a total length of 170 meters and a maximum width of 21 meters. It is expected to enter service in March 2020, and the construction cost is about 168 billion yen (about 10.3 billion yuan).

　　After the completion of the "Maya", equipped with the latest version of the "Aegis" system, it can intercept ballistic missiles and cruise missiles at the same time; At the same time, it can also carry the "Standard -3IIA" interceptor jointly developed by Japan and the United States, and the interception height, range and power have been greatly improved; However, the Japanese and American media are most concerned about another major breakthrough of the ship — — The "Maya" is the first ship of the Maritime Self-Defense Force equipped with a CEC system with cooperative combat capability.

　　According to Asahi Shimbun, CEC system is a device that can share a large amount of data in an instant without satellite, and can be used to intercept enemy missiles and fighters. At present, some American ships and planes stationed in Japan have installed this system. Japanese media said that the "Maya" reflected Japan’s intention to continue to promote Japan-US military integration.

　　On the same day that the latest Aegis ship was launched, the Japanese Defense Ministry also made a major decision: that is, it chose the American arms giant — — The long-range identification radar developed by Lockheed Martin is used in conjunction with the land-based Aegis system.

　　At the end of 2017, the Abe government made a decision to introduce two sets of land-based Aegis systems. At that time, the Ministry of Defense estimated that the price of each system was about 80 billion yen, and then it was changed to 100 billion yen; With the finalization of the system radar model, the latest calculation of the Ministry of Defense shows that the unit price of land-based Aegis has risen to 134 billion yen, an increase of 67.5%.

　　Although the Ministry of Defense emphasizes that the reason for introducing the new radar is its long detection range, public opinion generally believes that the truth is not so simple: after taking office, US President Trump constantly pressured Japan to change the unbalanced bilateral relationship between the United States and Japan by purchasing more American weapons and equipment and reducing the tasks undertaken by the US military — — Taking the price increase of land-based Aegis as an example, the US Defense News pointed out that due to the heavy task demand in the Asia-Pacific region, the US Navy has been hoping to decentralize some anti-missile functions recently, and Japan’s rapid promotion of anti-missile system construction is undoubtedly good news for the US military.

　　Reuters believes that the Japanese government should summarize the defense budget for the next fiscal year before the end of August every year — — The Ministry of Defense has now made a decision to introduce anti-missile radar, which means that the relevant funding application will be successfully included in the defense budget for FY 2019; Abe plans to hold talks with Trump again during his visit to new york to attend the UN General Assembly in September: at that time, Abe can give Trump an account of the money spent on American equipment.

　　Behind Japan’s efforts to ingratiate itself with the United States is deep concern:

　　According to Japan’s "Daily News" report, after the United States announced that it would not impose import tariffs on automobiles during its economic and trade dialogue with the European Union, the Japanese government began to worry that the United States would turn its gun and aim its fire at Japan.

　　In fact, on July 26th, the day after Trump met with European Commission President Juncker at the White House, US Commerce Secretary Ross stressed that the 232 investigation on whether imported cars threatened US national security was still going on, and it is expected that there will be results in August.

　　The latest report released by the International Monetary Fund in July clearly pointed out that once the United States implements trade protection measures on imported cars, the country that will be hit hardest is Japan.

　　Severe Winter Drought in the Northern Winter Wheat Region of China —— General Mobilization of Drought Relief

　　According to the Ministry of Agriculture, since planting in autumn and winter last year, governments at all levels and agricultural departments have attached great importance to grain and oil production this summer, insisted on early deployment, meticulous organization, scientific guidance and enhanced services, and achieved a steady increase in wheat area, an increase of more than 8 million mu in rapeseed area, and a good foundation for seedling situation before winter. However, since the end of October last year, the precipitation in the northern wheat area has been obviously less, and the drought has continued to develop. In addition, several strong cooling processes have occurred in succession, and drought and freezing have seriously affected the safe overwintering and normal development of wheat. The duration, range and severity of the drought are rare in history, showing several characteristics: First, continuous drought in autumn and winter. Second, the drought-affected area is large. Third, the degree of drought is heavy. The fourth is the superposition of drought and freezing. Fifth, there may be drought in winter and spring.

The drought continues, and Anhui issued a red warning for drought (photo by Xinhua News Agency)

Fighting drought and protecting seedlings in Huaibei area of Anhui Province (photo by Xinhua News Agency)

　　There was no snow last winter, especially when water resources were precious. A winter drought with a wide range, long duration and large drought-affected area is ravaging the northern winter wheat area.

　　More than 100 million mu of winter wheat is looking forward to rain.

　　According to the statistics of the National Defense General Administration, as of February 1st, the drought-affected area in the northern winter wheat area totaled 137 million mu, and by February 3rd, the drought-affected area had grown to 139 million mu, with 41.02 million mu of severe drought. In addition, 3.93 million people and 1.94 million large livestock had difficulty drinking water due to drought, and the drought-affected area of crops in China was 146 million mu, 43.12 million mu more than the average in the same period of many years.

　　Chen Lei, deputy commander-in-chief of the National Defense General and Minister of Water Resources, said that since the beginning of winter, there has been a serious lack of rain and snow in most parts of China, and the water from major rivers in the northern region has been continuously dry, and the water storage of water conservancy projects is obviously insufficient, which has caused the main winter wheat producing areas in northern China to suffer this severe winter drought.

　　According to the analysis of the National Defense General Conference, the current drought in the northern winter wheat area presents four characteristics: First, the precipitation is seriously less and the temperature is higher. Since last winter, there has been no effective precipitation in North China, Huanghuai and other places for more than 80 consecutive days. The precipitation is 70% to 90% less than normal, and there is basically no precipitation in some areas.

　　Second, crops are affected by drought in a large area and with a heavy degree. At present, the drought-affected area of winter wheat areas in northern China is the largest in the same period in the past five years, with more than half of the drought-affected areas of wheat in Henan, Anhui and Shanxi provinces. At present, it is in the middle of winter, with the superposition of cold and drought and the coexistence of drought and freezing. In some areas, there is a large area of yellow seedlings, and some even have dry and dead seedlings.

　　Third, drinking water is difficult for people and livestock in some areas. Some people have long distances to haul water, long duration of water shortage and high cost of drought resistance, which have a great impact on daily life.

　　Fourth, the water from rivers continues to be dry, and the water storage of water conservancy projects is seriously insufficient.

　　According to the forecast of the meteorological department, the temperature in most parts of China is still high this spring, and the precipitation in most parts of Huanghuai and eastern North China is still low. There is a great possibility of a large-scale spring drought in the northern winter wheat area, and the drought-resistant situation is very severe.

　　The highest number of drought-resistant people in each province is 5.26 million.

　　The CPC Central Committee and the State Council attached great importance to drought resistance, seedling protection and summer grain production in winter wheat areas. The National Defense General and the Ministry of Water Resources have taken a series of measures since last winter to arrange and deploy drought relief work. In the face of severe drought, the National Defense General convened the Chamber of Commerce of Drought Relief Associations in seven provinces in the main winter wheat producing areas in the north, and launched a three-level emergency response to drought. The Ministry of Commerce and Finance arranged a 100 million yuan central extra-large drought relief subsidy, issued an urgent notice, and asked all localities in the dry areas to spare no effort to fight drought, protect seedlings and ensure spring ploughing, and sent four working groups to eight provinces to guide drought relief work.

　　According to the development of drought, on January 11th, the Yellow River Defense General upgraded the drought level to yellow warning, started the three-level response, scientifically dispatched, timely adjusted the water consumption index, and fully supported the drought relief in the basin.

　　Zhang Zhitong, executive deputy director of the National Defense General Office, said that according to incomplete statistics, since the end of December last year, the provinces in the northern winter wheat area have invested a maximum of 5.26 million people, started 750,000 electromechanical wells, 4,934 pumping stations and 711,000 sets of drought-resistant mobile equipment, with a total investment of 1.38 billion yuan, and completed drought-resistant irrigation area of 74.6 million mu. More than 5,000 county and township drought relief service teams are active in the fields every day, solving the drinking water difficulties of more than 500,000 people and 280,000 large livestock. (Reporter Zhao Yongping)

　　Chain connection

　　E Jingping, secretary-general of the National Defense General and vice minister of the Ministry of Water Resources, said that due to the influence of natural climate, there are different degrees of drought in China every year. The perennial drought-affected area of crops is about 300 million to 400 million mu, and the annual loss of grain is nearly 15.8 billion kilograms, accounting for 60% of the total loss of various natural disasters.

　　E Jingping said that on the one hand, agricultural production is dry and short of water, on the other hand, it wastes water seriously. At present, the utilization rate of irrigation water in China is only 45%, while that in developed countries is about 70%. At present, more than half of the cultivated land in the country has no water conservancy facilities, mainly relying on the weather to eat.

　　"To cope with drought, we need to change new ideas, change passive drought resistance into active drought resistance, and change from single drought resistance to comprehensive drought resistance." E Jingping said that comprehensive drought relief should pay attention to agricultural drought relief, and at the same time, do a good job in all-round drought relief work in urban life, production and ecology more scientifically and rationally, so as to realize rational development, optimal allocation and efficient utilization of water resources.

Editor: Wang Jiaolong

International Nurses’ Day, Pay tribute to angels in white.

1905 movie network news It is the 12th Zhou Nianji of Wenchuan earthquake, and the first international nurses’ day after the great plague test. May 12, 2020, which is worth remembering, let us continue to believe — — After the disaster, there is always angels in white’s warmest and staunchest guardian.

On special festivals, Today’s Film Review, which continues to comment on movies for everyone, also delivered the "protagonist" of the program to the nurse group for the first time through live connection — — After returning from aiding Hubei and returning to their posts, she and he look at the role of nurse in the film like this … …

She is the leading role.

Nurses should not be just unprofessional supporting roles.

Like girls of the same age, Wu Xiaoyu, born in 1999, loves idolize, watching movies and watching dramas. However, this Spring Festival, instead of being regarded as the idol of Haoran Liu, she started a heroic journey on Mount Raytheon.

Wu Xiaoyu (first from right) and his colleagues

"In fact, nurses are linked to life." In the live connection with Today’s Film Review, Xiaoyu, who has returned to her post after a break, described her understanding of the professional mission of nurses.

When it comes to the image of nurses in film and television works, she has great doubts at a young age. "I think most (medical subject) film and television works are more about doctors, none of them are centered on nurses, and most of them may be supporting roles."

In the limited role of nurses, Xiaoyu often feels embarrassed. Even though Douban scored as high as 8.2, under her professional examination, Zhang Xiaolei, a nurse played by Andy in the TV series Mind, showed "insufficient details and some untrue situations" in her work process.

Mind, 2012

In addition to the nursing process under the blessing of professional technology, Xiaoyu also pointed out that nurses are also "all-round repairmen." "For example, if the toilet and TV are broken, patients should call the nurse first, and usually order takeout or something. Older uncles and aunts will let us help locate and place orders."

It is difficult to talk about the "glamorous" work details, and it is difficult to show the supporting role of nurses in depth. The slightly more important role of nurses tends to be played by first-line stars, and their images tend to be "perfect" externally. Most of the scenes also focus on workplace communication or idolized emotional life, and rarely touch trivial professional details.

: Gao Yuanyuan plays nurse Shu Fen.

Of course, these "unprofessional" roles also touched on the experience of Xiaoyu at the beginning of her career to some extent. "There will be some uncomfortable places when I first start to work. When I give an injection to a patient in the ward, if the patient feels that this little girl has a little pain, she will also reflect on herself."

However, she has always positioned herself as the protagonist of her job, and her belief in the nursing profession has become more firm after the epidemic. "At the moment when the patient was successfully treated and discharged from hospital, all our efforts were not in vain, and I will fight for the road I chose."

He is the leading role.

Male nurses are also industry protagonists.

Angels in white, not only with her, but also with him.

According to incomplete statistics, the proportion of male nurse practitioners in the whole country is generally less than 2%. "When I first started working, my parents didn’t understand it." As a representative of these 2%, Joseph Yam, who joined the special line of Today’s Film Review, "sadly" recalled the struggle when choosing a job.

"At that time, including myself, I didn’t understand my career." In 2016, Zhida, who just joined the work, even sent a circle of friends in anger: I would rather go to the street to sell pancake fruit, roast cold noodles, socks, buildings and cars … … None, nurse. But not long ago, my working experience in aiding Hubei proved to him that being a male nurse smells good.

"Really fragrant" scene: the scars on the face are all the marks of heroes.

In Yichun, Heilongjiang, Zhida’s job is a 120 emergency nurse. "I often go to the scene of mine accidents, fires, floods, drowning and car accidents." For my thrilling work, Zhida’s tone is full of responsibility and sincerity. "I found that our male nurses are better at doing pre-hospital first aid work in first aid work, so I have also made some changes in my profession."

However, among the medical works with a small base, there are only a handful that show the life of male nurses, especially those with male nurses as the leading role. The friends of "Today’s Film Review" racked their brains and only thought of such a foreign film — — Among them, as the protagonist of male nurses, 99% of the time in the film is busy with family relations.

Visit my father-in-law, 2000.

Nevertheless, he also found a successful case — — Qing Liu played by Zhou Dongyu 3.

"I remember there was a scene in which she was holding a plate to give a patient a needle. Our work was actually similar. Every day, she held a plate to give a needle to each ward, and she stuck it all morning." This performance made Ren Zhida see her colleagues and herself in her daily work. "I think what she played at that time was quite close to our working life."

Animal World, 2018

Too much completely gendering the nursing profession into women in various fields is actually belittling this profession. Female nurses have dovetail hats, and Ren Zhida, as an emergency nurse, also has badges and epaulettes. In the view of the guest teacher Li Zhen, Zhida, who is dressed in first aid costume, is enough to become a "first aid man" on a par with Batman and Spider-Man.

"In fact, not only at night, but also during the day." This contrast between "bright" and "dark" reminds him of his favorite actor Pan Yueming. "If he plays a male nurse, I may see my future shadow in him."

　 　 　 　The love and kindness conveyed and practiced by the film and nurse heroes will surely continue to be warm and continuous.

　　Li Bai was drunk, splashing wine into water, and cranes appeared in the water.

　　Soaring on a giant crane with Gao Shi, Du Fu, Cenfuzi and Dan Qiusheng, "I’m going to drink, and the cup will not stop", which is extremely wild and romantic … … The animated film Three Wan Li in Chang ‘an, which is being shown, has aroused the audience’s resonance with the poetry of Chinese cultural genes. Up to now, the box office of the film has exceeded 1.7 billion yuan.

　　China’s animation shows a gratifying trend. In recent years, excellent animated films such as The Return of the Great Sage on the Journey to the West, The White Snake: The Origin, and Ne Zha’s Deep Sea have appeared one after another. Their creative vitality is surging and their box office reputation is good, which sends a clear signal that the animation market in China is booming and has great potential.

　　Rooted in the fertile soil of Chinese excellent traditional culture, domestic animation is taking a creative transformation and innovative development road with extraordinary imagination and steady steps, which shows China characteristics, China style and China style.

　　Chinoiserie

　　Exploring the road of national style and expressing Chinese cultural genes

　　[Lens] From the prosperous and inclusive Chang ‘an, to the south of the Yangtze River with flowing bridges, and then to the lonely desert of Saibei, it is concentrated in 48 Tang poems in 168 minutes. The audience in the cinema couldn’t help reading aloud, and comments such as "China culture is the greatest strength of the film" and "Poetry gene surging in the blood" were highly praised … … This is a vivid epitome of the surge of traditional culture in recent years.

　　Since the first advertising animation Shu Zhendong’s Chinese Typewriter was released in 1922, China animation has gone through a hundred years. In the ups and downs, the course remains the same, that is, along the background of Chinese excellent traditional culture, "exploring the road of national style."

　　Make a scene in heaven, tadpoles looking for their mothers … … Su Da, director of Shanghai Animation Film Studio, recalled, "Among the brilliant group images of China Animation School’s works, there is traditional culture — — Literature, drama, architecture and music have artistic forms with rich national style — — Ink painting, Dunhuang frescoes and New Year pictures have the spiritual connotation of the Chinese nation — — Kindness, tenacity, diligence, courage, etc. "

　　Throughout the animated films that have been released in recent years, "national style" and "national tide" are still the key words. Ne Zha endowed the traditional characters with new connotations and created an image of Nezha, who is "my life depends on me". Three Wan Li in Chang ‘an cultivated the feelings of home and country with poetry, and conveyed the cultural core of the Chinese nation such as self-improvement and tolerance. "Big Fish Begonia" beautifully shows the world cultural heritage of Fujian Tulou … …

　　"Traditional culture is a magnificent treasure house of China’s animation film creation. The core of China Animation School is nationalization, which is used to show our own literary and artistic image and create a set of expressions based on traditional culture to express Chinese cultural genes." Ma Hua, a professor at the Animation Institute of Beijing Film Academy, concluded this.

　　Creating animations with traditional cultural themes is both a leverage and a challenge. Well-known historical figures and stories lower the threshold for the audience to enter the cinema, but test the basic skills of the creators.

　　For this reason, the creative team of "Three Wan Li in Chang ‘an" has traveled a lot to collect ideas. "We walked into Shaanxi History Museum to study the layout of Chang ‘an, stood on the ancient wall of Tongguan and felt the tragic mood of Ge Shuhan, and wandered through Songpan ancient city to find the inspiration for designing Yunshan City and Lushuiguan & HELIP; …” Xie Junwei, director of "Three Wan Li in Chang ‘an", introduced that every shot went to the screen wall outside the county magistrate’s house, the wine-raising game played by the literati, and the poem board in the posthouse temple, referring to nearly 100 documents and many unearthed cultural relics. Annotation on the Chronology of Li Bai’s Complete Works and Annotation on Gao Shijia’s Collection are "reference books kept by the team at hand".

　　Some directors described animation as "dreaming in a wild way". Free and unrestrained artistic expression is combined with traditional cultural stories, and The Return of the Great Sage of Journey to the West, released in 2015, has become a phenomenal work of domestic animated films. The great potential of mythical themes has been discovered.

　　In recent years, the diversification trend of domestic animation themes is remarkable, and realistic animated films have great market potential. For example, the recently released Tea No.2 Middle School is an animated comedy with a campus theme, while the previously released Deep Sea focuses on the exploration of the inner world.

　　"The way generations accept knowledge is changing. After 95 s and 00 s, I am used to touching new things through video. I want to attract more people to contact and understand in the form of literature and art that young people like to see, and then love traditional culture more. " Yu Zhou, producer of Chang ‘an Three Wan Li and president of light-chasing animation, said, "Young people’s recognition of China culture makes us believe that the rise of domestic animated films is not only a slogan, but also the present and the future."

　　It is also what MCA hopes to broaden the animation creation space and give more animators the opportunity to create diverse works. "There are many dimensions to evaluate an animation work, which can be artistic level or commercial success, but more importantly, it meets the audience’s call and expectation." He hopes that the development of animated films will have more "spirit of doing experiments", keep an open theme, let young practitioners innovate more boldly and consciously, explore the boundaries in different directions, and let more good works be seen by everyone.

　　Sense of science and technology

　　With the improvement of personnel training, the bottleneck of animation film production capacity is constantly being broken.

　　[Lens] "10 years, 7.5 billion frames" — — On the day when Chang ‘an Three Wan Li was finalized, Wei Wang, the founder of light-chasing animation, sent such a Weibo. It is not surprising in the world of animation that the number of "100 million" is often on the order of magnitude. Take Penglai Wonderland, the splendid opening of "The New God List: Yang Jian", as an example. In just a few seconds, the number of single-lens models is 14 billion, the file size is 5TB (terabytes), and the total rendering time of the whole film is 410 million nuclear hours (CPU consumption, measured by nuclear multiplication hours), which requires thousands of servers to work continuously for 24 hours.

　　The multiplication of a string of numbers seems a bit "sci-fi", which is behind the inevitable logic of the development of science and technology hard core in the film industry.

　　"history of animation, to some extent, is the history of people’s exploration of light and shadow, and the history of the integration of technology and art." Ma Li, president of the Chinese Animation Society, said. As a blend of virtual and reality, with the new generation of network transmission, artificial intelligence, virtual reality, augmented reality, motion capture and other key technologies infiltrating into all levels and links of animation creation, production, communication and consumption, fully integrating with the imagination of creators and empowering each other, animated films bring viewers a higher level of audio-visual enjoyment.

　　Compared with the production cycle of a live-action movie for one or two years, an animated movie takes three to five years or even longer, and the project is more complicated. In Ne Zha, for example, special effects shots account for nearly 80%, and more than 60 teams and more than 1,600 producers all over the world have worked intensively for five years, which finally lifted the box office miracle of over 5 billion yuan.

　　In fact, complicated production is also a challenge for the whole process coordination, and this challenge needs to return to industrialization itself. According to insiders, the high degree of dispersion in production stage, uneven outsourcing quality and lack of uniform special effects standards once hampered the industrialization level of animation in China.

　　With the gradual maturity of industrialization process and the improvement of personnel training in all aspects, the bottleneck of animation film production capacity is constantly being broken. According to industry reports, in 2017, there were no more than 30 enterprises that could fully produce China animation. Today, there are nearly 1,000 upstream and downstream animation enterprises in China, of which 120 can produce high-quality animation. It is worth mentioning that industry observers pointed out that China’s position in the global animation industry chain has obviously improved, from the OEM position at the bottom of the industry "smile curve" to the two ends of the curve with higher yield, and the content production has gradually appeared the trend of "reverse outsourcing".

　　Huge groups are exploring in different ways, and they have gathered great synergy to improve the level of domestic animation.

　　Walking in the office building of light-chasing animation, you can see the orderly distribution and synchronous operation of the teams corresponding to each link. Pre-design, storyboard, 3D modeling, materials, binding, animation, role special effects, scene special effects, digital painting, lighting synthesis, post-editing, technology, production … … Assemble into a complete chain of animation creation.

　　"Almost 100% of the creation of an animated film can be born from this building." Yu Zhou introduced that among the more than 300 people in the team, producers account for about 90%. "We have established three series: new legends, new gods and new cultures. Since its inception, we have set up a creative process of rolling forward three works. The time consumption of each work is stable in three years, and one work is continuously iterated and cycled, driving an industrial system production line."

　　How to balance the pursuit of speed in industrialized production and quality in aesthetic expression? On the one hand, stable quality depends on the accumulation of "internal strength". "For example, the liquid and hair problems that were overcome in the production of Cat and Peach Blossom Garden can be directly applied to Shen Gongbao’s mount in The New God List: Yang Jian, and the technology is like ‘ Snowball ’ Accumulate the same. " Yu Zhou said that on the other hand, it is to optimize the process. "There is a working tradition of chasing light. After each film project is completed, all links will hold a project summary meeting to summarize the achievements and put forward the goals for future promotion and development. Every movie that chases light is based on the experience of the last one. "

　　Original and subversive innovation not only depends on the improvement of "tools", but also tests the determination of "people". Director Tian Xiaopeng spent seven years in Deep Sea, brewing an experiment on visual effect innovation: the original "particle ink painting" style, combining blank freehand brushwork ink painting with concrete realistic three-dimensional innovation, blending traditional colors of Chinese painting with western impressionist art, and creating a dreamy deep sea world.

　　"In the process of creation, in order to restore the elegance and graininess of ink painting, we mixed detergent, propylene, food coloring, milk, etc., and repeated it over and over again for more than 100 times." Tian Xiaopeng said that all technological innovations are for content service, and the "sea-splitting" lens in the film is dismantled. The single lens has more than 100 layers of particle special effects, and the number of particles is as high as several billion, which creates a subtle and extremely real scene texture.

　　How to find the unique 3D animation style of China? In Tian Xiaopeng’s mind, the combination of two-dimensional and three-dimensional and the exploration of their boundaries may be one of the breakthroughs. "Two-dimensional animation is inherently subjective, but in terms of immersion, lens and light and shadow, three-dimensional animation is more mature, and China animation provides a unique possibility by organically combining their respective advantages." This idea germinated when making the title of The Return of the Great Sage on the Journey to the West, and accumulated more mature processes and methods in Deep Sea. "Innovation is the driving force behind my animation." Tian Xiaopeng said.

　　influence

　　Create more cultural IP carriers and let the story of China go to the international stage.

　　[Lens] Back in 1964, Shanghai Meiying Factory assembled the "strongest lineup" to create the first color animated feature film "Make a scene in Heaven". The film has been exported, distributed and screened to 44 countries and regions, and has participated in more than 10 international film festivals and won many awards, ranking first in the world in terms of aesthetic expression and technical level. After a lapse of nearly 60 years, Shanghai Meiying Factory led the creation and jointly produced the animated short film collection "China Qitan" with bilibili. The Chinese national spirit and oriental aesthetic style returned with the attitude of "new generation" to tell the world the story of China.

　　How can the splendid Chinese excellent traditional culture IP "go out" and further live and fire? "Don’t imitate others, don’t repeat yourself" is the consistent creative concept of Shanghai Meiying Factory, and it is also the key for domestic animation to go out.

　　"In the past, Hollywood, Disney and Pixar were the templates for our creation, but the market response was not satisfactory and the audience did not buy it." Ma Hua said that from imitation to partial originality and then to pure originality, it is the only way for China animation to grow, "‘ Copy ’ You can learn skills and experience, but the direction of the topic, the aesthetic system and the spiritual core conveyed by the story are all misplaced. "

　　In this regard, Tian Xiaopeng also has personal pain: "When I was doing The Return of the Great Sage on the Journey to the West, I was often asked a question, what is our own oriental performance?" After many years, the creator slowly found his own context. "The story, art and performance are all oriental, and the national style naturally flows in the blood of domestic animation."

　　Under the gaze of the world, exploring the road of national style has become the trend of China School, and the animation works bearing the genes of Chinese excellent traditional culture have once again attracted attention. Behind it, there are unique Chinese visual arts, constantly improving animation production technology, and ambitious faces like young Li Bai and Gao Shi.

　　With the "14th Five-Year Plan for China Film Development" clearly pointing out to support animated films that highlight the spirit of the Chinese nation and the oriental aesthetic style, the Chinese Writers Association has helped China to create original animation, and a series of measures have stimulated more and more creative vitality. The recently concluded China Animation Week attracted 71 social organizations and industry companies to participate, displaying more than 500 IP projects and reaching 83 cooperation intention projects on the spot; In the 19th China International Cartoon & Animation Festival held in June, 567 Chinese and foreign enterprises and institutions, 2,305 exhibitors, merchants and professionals from 67 countries and regions participated in the exhibition, and the intended signing amount reached 1.485 billion yuan, which played a positive role in promoting international exchange of animation and promoting domestic excellent animation to go abroad.

　　Opening a vast "chapter" of animation, people deeply witness the exploration and progress, trend and ambition of China’s animation.

　　Today’s animation is not only a literary style, but also a comprehensive tide play, game e-sports, digital entertainment, immersive experience theme park and peripheral products, which gives creators a broader space. The data shows that the total output value of animation industry in China has exceeded 220 billion yuan, and animation has become one of the mainstream content categories. Animation+tourism, animation+performing arts, animation+design, animation+games, animation+parenting education, etc., further stimulate the industrial potential of animation art.

　　"The vitality of Chinese culture not only depends on the work itself to carry forward and inherit, but also comes from the operation of IP." According to Suda, Shanghai Meiying Factory has continuously strengthened the management of copyright and trademarks in recent years, and registered more than 1,500 trademarks around 40 categories such as clothing, food and toys, building a new ecology of IP transformation.

　　Looking forward to the future, Ma Li believes that the two-way empowerment of new technologies, new applications and the operation of the whole industry chain will become an important way for China animation to develop by leaps and bounds. "Standing at a new historical starting point, the animation industry in China should strive to anchor the three goals of improving the originality of fine products, industrial competitiveness and international influence, show a new atmosphere in promoting the high-quality development of China animation, and provide a strong boost for enhancing the cultural confidence of the Chinese nation."

　　"Do China animation with ideals and quality, China animation with cohesion, and China animation that can be handed down from generation to generation." Ma Li’s appeal is also the voice of many animators. With fine works, we can create a long history and write a chapter of the era. Dapeng holds high and crosses the sky of China, bringing enough wind to stir and continue.

　　— — "As long as the poem is there and the book is there, Chang ‘an will be there."